☽ Ale de Luis ☾
is a writer who was born upside-down, with the umbilical cord wrapped around her neck. She resolves her clearly tenuous attachment to existence by writing whenever she can. This is her website

Bio
My career as a writer and poet began with the publication of a poem titled Ode to Full-Fat Yoghurt in Hygge and Lizards, a zine published through The Forest Cafe, a collectively-owned arts space in Edinburgh, UK. Since then, my work has appeared across print and digital creative writing publications, political magazines, academic journals, online blogs, and ghostwritten self-help e-books. I have also organised and hosted several open mic nights, poetry slams and community writing events across the UK. I've also extensively performed my work on stage, being invited to open for full theatre shows and book launches. I featured for God Damn Debut Slam at the Scottish Poetry Library in June 2018 and April 2019, and performed as part of Loud Poets' Best of Fringe run during the Edinburgh Fringe Festival in 2019 and 2022. Now, though I still write poetry, I am focusing on longer stories, especially dipping my toe into the horror genre. I'll hopefully have some short stories out to show you all soon!
Publications
Poetry
- Four Poems in Field Guide Poetry Magazine, Issue V
- The Form of a Wave in River Heron Review, Issue 5.2, Nominated for Best of the Net 2023
- Glitch in the Matrix in Idle Ink
- Innerwinter in Amberflora, Issue 11
- A Prayer to Our Lady of Sorrows in Very Much Alive: Stories of Resilience, published by The Selkie
- Ciguapa in States of Transformation, published by The Selkie
NonFiction/Academic
- The Life and Visions of Hildegard of Bingen in CultureFrontier
- John Knox: The Controversial Father of the Church of Scotland in CultureFrontier
- Margery Kempe: Mad, Mystic, Human in CultureFrontier
- Strawberry Milkshakes: Or, How to Recover from an Eating Disorder, Part One and Part Two in Mxogyny Magazine
- Drowned Histories: Collective Memory in an Edinburgh Ghost Story in ReThink: A Journal of Creative Ethnography, 1.1, pp.7-10